Vlog: Meet Joe Perry, Local History Curator
Hello, welcome to the second of our Meet the Team video series where we quiz a member of the team and find out a bit more about their job and what makes the museum tick.
What is your name and job title?
My name is Joe Perry and I’m the Curator of Local History at The Potteries Museum & Art Gallery
What are Local History Collections and What do you do as a Curator?
So, our Local History collection comprises of archaeology and social history. So the archaeology collections are mainly the result of archaeological excavations but also chance finds and metal detected finds. We work very closely with the Portable Antiquities Scheme to acquire various items of treasure, such as the Staffordshire Hoard and Leekfrith Torcs.
The social history side of our collection, erm, really looks at the domestic and working lives of people in The Potteries, particularly from the nineteenth century onwards though we do have one or two objects that are a little bit older.
As a curator my job really is to look after our collections, is to help develop and grow them, and it’s also to help give people access to those collections. So you know, exhibitions, research requests, getting things online, using social media and doing things like this really. Anything to bring our collections out and connect them with the people who are interested in them, or that want to use them in some way, or anyone for whom, you know, interaction with our collections can enrich their lives in some way.
How long have you worked at the museum?
I’ve been in my current role since August 2018. But I’ve been working for Stoke-on-Trent museums, on and off, for just under ten years.
What’s your favourite thing about working here?
For me, the best part of my job is being so close to so many incredible objects and getting the chance to share those objects and their stories with a really, really diverse audience. And the other thing I really enjoy about my job is the diversity of the collections. I look after everything from hand axes which are two hundred, maybe even three hundred thousand years old, through to items which were made only a few years ago. So it’s a huge range in there, very, very challenging and of course you can’t know it all it’s such a huge erm array of time periods that you know I’m learning everyday and that’s something I really enjoy as well.
What’s your favourite museum object?
Oooh that’s erm, that’s always a really difficult question to answer and I don’t want to sound like a cop out but I honestly don’t have a err individual favourite object. I do have quite a soft spot for a broken Bronze Age sword in our archaeology gallery, with a really interesting story. Erm, so you could check out our blog to find out more about that.
And now for some questions from you guys that you sent through on social media
Joanne on Facebook asks, “Have we learnt anything from the Staffordshire Hoard that we didn’t know previously about the Anglo-Saxons? Does it have any unique features?”
The Staffordshire Hoard has two unique features. Its size, it is the largest hoard of Anglo-Saxon gold and silver ever discovered, and also its character. It is unique in that it is almost entirely comprised of precious fittings from war gear, erm so, sword pommels and other fittings from sword hilts, pieces of at least one really, really high status helmet and this is very, very unusual to find a hoard of just that character, buried together in the ground and nothing like it has ever been found, it clearly has a very, very unique, special story behind it. Unfortunately we don’t know what that story is.
In terms of learning new things, obviously I think we learnt a lot about how the Anglo-Saxons are making some of these incredibly detailed objects. What’s great about the Hoard is that it’s damaged. It’s been very violently taken apart, you know, in how some of these of objects have been dismantled and so we can actually see how some of these nice gold pommel caps are made and we know maybe a little more about the manufacture than we did before and things like the projects to build replica helmets have been a really interesting bit of experimental archaeology to try and relearn some of the skills of those Anglo-Saxon smiths and craftspeople.
Tina asks, “What words did Anglo-Saxons use which have now died out?”
That’s a really interesting question, it’s not an area I have a great deal of expertise in, but there is one Old English word that I do really like, it’s a really fun word to say, and that is FRUMBYRDLING. Frumbyrdling means a young boy who’s growing his first beard.
Garry asks, “Will you be able to look into the cockpit of the Spitfire?”
The short answer Garry is yes, you will. We’re going to build a mezzanine level inside the new Spitfire Gallery, so either by going up there via the steps or the lift, you then look down into the cockpit of the Spitfire which will be kitted out fully, either with real or replica parts for the first time ever since it was donated to the City in 1972.
Charlotte asks, “How big is the Spitfire and how does this compare to modern planes?”
So I think in general fighter planes have grown a little bit, so to give you an example of that, Spitfires are just over nine metres long and typically just over eleven metres in terms of their wingspan. Our Spitfire has got a slightly shorter wingspan because it has clipped wings which is quite common for some late-war Spitfires. So our wingspan for our Spitfire is about more like just under ten metres. And similarly with the height, so on a Spitfire when it’s on the floor, the end of the propeller is the highest point and depending on the size of the propeller , depending on what type of Spitfire it is, it’s between three and three-and-a-half metres tall.
If you compare that to modern RAF Typhoons they have a wingspan of about eleven metres but a length of sixteen, and I think they’re over five metres high, so I think fighter planes have grown a little bit since the Second World War.
Julie asks, “When the Spitfire returns, will there be information on other planes designed by Reginald Mitchell in the gallery?”
Yes there will Julie, so for anyone who’s watching and doesn’t know, between 1920 and 1936, Mitchell designed no less than 24 aircraft, so it wasn’t just all about the Spitfire, and in fact in his lifetime, because he died early, aged only 42 in 1937, in his lifetime Mitchell was really known his designs of racing seaplanes which were very, very successful.
Now, our collections don’t have a lot of objects to do with Mitchell’s earlier, earlier parts of his career so we’re thinking of all kinds of interesting ways we can use animations and interactives to try and bring that story to life.
Pheasantsagenda asks, “What’s the most locally and culturally significant piece in the collections you manage?”
Erm, that’s a difficult question to answer. I guess it could be very, very subjective, though I would say, if you’re thinking specifically about local significance in The Potteries, erm I’d have to suggest something like the thousands and thousands of archaeological ceramics we have the collection. The sherds of pottery excavated from factory sites and waste tips. These are all really, really key sites which have helped us understand the development of the Staffordshire Potteries from what was a cottage industry to a world centre for ceramics.
So that’s it for our second Meet the Team video. I hope that’s been interesting. If you have any further questions or comments on what we’ve discussed in this video or other parts of the collections, do get in touch in the comments section or through other social media channels, I’d be happy to answer your questions and I look forward to our next video where we’ll be interviewing our Curator of Ceramics, Miranda Goodby.